Behind the Mask. How my research for ‘Progeny Of A Killer’ took me to jail.

progeny of a killerThe sentence wasn’t lengthy, merely a couple of hours, although I wish it had been longer. I would have loved to have spent the night. I have never visited such a place that held so much sorrow and tragedy as Dublin’s Kilmainham gaol. I knew I wanted to include it in my novel. In Progeny Of A Killer, Danny Corrigan is the son of a deceased IRA man who vows revenge on the British refers to the gaol to Aidan McRaney – who is also Irish – as McRaney is sent into to infiltrate Corrigan’s lair.

“You ever see the solitary black cross in Kilmainham?”

“Sure I saw it. When I was a kid. But I didn’t understand. I just didn’t understand.”

I had to admit the memory of visiting Kilmainham, of seeing the black cross over the solitary mound, had given me nightmares. It was the fear that those long dead heroes would ultimately rise from the mound and amorphously drift into my room at night.

Corrigan is obsessed with the Uprising, and their leader James Connolly in particular. It is historical fact that after being wounded in the leg, Connolly was taken by ambulance to Kilmainham, where he was tied to a chair and executed.

But the saddest tale of all has to be that of Grace Gifford who married Joseph Plunkett, another of the  rebels. Their wedding night took place in the chapel at Kilmainham. The next morning, Joseph faced a firing squad. Although the chapel has been refurbished, there is no disguising the poignancy and desolation of that place.

The visit made a great impression on me. I could easily imagine Joseph and Grace, knowing the only night they shared was to be their last, taking their vows. Then they would spend their wedding night in one of those narrow dingy cells. No amount of refurbishment can eradicate that. The entire building is steeped in sorrow and bloodshed.

Having researched Irish history quite predominantly over the years, I knew a story had to be written. Perhaps the aftermath of the Troubles. How many others like Corrigan entertain the desire for revenge? Except I am sure no one is as obsessed with Irish history as this man. Enough to exact his vengeance, not by bombs and doorstep assassinations, but by kidnapping children and inviting paedophilia and white slave trafficking,

Corrigan is also  a collector of porn and of  children being  tortured. He also collects beautiful girls of a certain age for his brothel. The girls are usually no more than 15 or 16. He has ‘buyers’ and the girls are sold to them.

I had already planned my novel. The characterisation. The plot. Then I visited Kilmainham saw the black cross and knew it deserved a mention, as does the Easter Uprising. As it is its centenary next year, maybe I’ll pen another book in relevance.

Book Tour – Aidan McRaney

I’d just like to thank Lisa Devaney for the idea of putting together a bit of a book character tour for the lead character in many of my self-published books.

Aidan McRaney by Pete Shorney1: What is the name of your character?

His name is Aidan McRaney. Aidan was born in Dublin. He’s in his early thirties, he has black curly hair and the warmest brown eyes. He is fictional.

2:When and where is the story set?

The story is mostly set in London, but occasionally moves to Dublin.The books so far are set between 2011 and 2014.

3:What should we know about him?

He is an ex-offender and served eight years in prison for shooting the would-be assassin of his employer, gang boss Frankie Lamond. Aidan is trying hard to come to terms with the sight of his girlfriend murdered in cold blood before his eyes, which was also the night Frankie was left disabled by the shooting.

4: What is the main conflict? What messes up his life?

His ex-wife, Judy, for one. She only allows him a day a month access to see his son Patrick. There are also those who believe he should have received a lengthier sentence. The family of the murdered assassin sets out to destroy  Aidan’s beloved family, using soft targets such as his 18 year old sister.

5: What is the personal goal of the character?

To be a father to his son and a good husband to his wife. However, the criminal underworld has other ideas. He knows they’ll never let him go. There’s always someone out there to exploit him.

Dangerous To Know – The New Chapter One

After giving it a lot of thought, I decided to rework the book, chopping out a lot of the early chapters to get into the action. This is how it starts now.

THE CONTRACT

Before I can collect my thoughts I suppress that chill progression. Maybe the past is simply lurking, concealed in the depths of an ostensibly impregnable silence.

It’s a past I have attempted to bury, to entomb in preference to a daily life. Doing this job, becoming a normal man. Living a normal life with my woman and my children.

Nothing about this is real anymore. This man, my companion, becoming steadily drunk. The crystal shimmers, half blinding me. His words a distant buzz. Only when he asks, “Do you shoot, Aidan?” do I  steer myself away from this grim reality.

“What?” The word adheres to my throat, making me wonder if I have uttered it at all.  Harrington paces the red tiled floor, brushing the fronds and clutching vegetation from his face with ill-disguised impatience. Nursing his whisky, he swings around on my query as to why he should want to know that.

“Course Sarah thinks it’s all a bit barbaric. Shooting pheasants and wild fowl. But it’s a sport. Don’t you agree?”

“I guess that’s what the wealthy do,” is all I can possibly add. “Look, Mr Harrington, Paul, if you don’t want to discuss the garden then why am I here? If you’re inviting me to join you for some shooting party then you’re asking the wrong guy. I’m just a humble landscape gardener. I don’t shoot. I agree with your wife. Killing animals and birds for sport is barbaric.”

“But you used to shoot, didn’t you? And it wasn’t birds and animals, was it?”

I hurl myself from the seat. Tension winds around me. The throb of pain in my wounded shoulder reminds me there was a past. As if it rages inside my head.

‘You think you can forget what you did?’ Sure I’d love a whisky right now. The whole damn bottle if it makes me forget.

Instead all I can do is retaliate, while those smoothly polished features smirk and smile, aware he has me now. I wonder why he’s brought me here. “I don’t know what the fuck this is all about, but if you’re not interested in me doing your grounds, then I’m out of here.” I stress his name coldly.

As if he hasn’t heard me, he says, “A man in my position gets to know a lot of people, gets to hear a lot of things. Names get bandied about, if you see what I mean. The name Aidan McRaney kept cropping up. I learned you were once a minder to Frankie Lamond, a big shot gangster nine, ten years ago. You went to prison for killing the guy who shot Lamond’s woman. Now you’ve been out, what, two years?”

“Almost three, but I’ve turned my back on all that. I’m not that man anymore. I have a different life now.”

“A leopard never loses its spots.”

“I didn’t come here to be reminded of the past. So what is this, blackmail?”

“Blackmail? Good God no.” He laughs, but it’s hollow and humourless. “Why should I need to blackmail anyone? I’m a pig in shit here. Just look around you. I’m a wealthy man. I have no need of blackmail.”

“What then?” I try the door in an endeavour to escape, while Harrington is intent on getting drunk. “If you don’t want my business, then there’s nothing to be said is there? What happened was in the past, I told you. I want to forget it.”

Harrington dangles the keys and savours his smile. All I can do is attempt to escape from this madness, while I implore him to open the door. “You know what I promised my kid?” I pause, confronting him. My breath issues hard, ragged, with that inherent rage that I struggle unsuccessfully to suppress.

“To give him everything a young lad should have? My old man was too poor to promise me those kind of things.”

“No, of course not. I love my children, but no way will we spoil them. I meant that I promised my son that I have turned my back on crime. No more bad guys, that’s what I said.”

“Come on, Aidan, if you disillusion yourself, how can you expect your son to understand?”

“I’m sorry, but you’ve lost me there.”

“I mean, you know you can’t escape your past, no matter how you try to tell your son otherwise.”

The conservatory obviously has to be kept at a certain temperature because of the hybrids, the hothouse plants. After all it is February. Now it’s as if he has raised the thermostat. The place has gradually begun to swelter. Harrington, however, scarcely appears unfazed by the intense heat. Maybe he’s used to it, whereas perspiration has begun to seep down my back, enough to saturate through my shirt and jacket. Once again I demand he let me out. I remind him that Caitlan will be frantic by now, that she’s kind of delicate and relies on me a great deal.

A chill slices through the expanse of heat, cutting through my mind like a buzz saw when he says, “Sir George Treveleyan saw the potential in you.”

“What the fuck, Harrington? What do you know about that?”

“You can shout and bluster all you want.”

“I can see why your wife wanted me to leave in such a hurry. I wish I’d taken her advice and not let you talk me into coming back to the house. I still don’t understand why you’re raking all this up anyway. Wherever this is leading the answer is no. I get the feeling you want something from me that I’m not prepared to give.”

He pours yet another Scotch. He studies the golden liquid before swirling it around in his glass. His expression is thoughtful. Caressing the crystal base, he raises his eyes to mine. Again I plead to be let out. As if I haven’t spoken he mutters, “You know that old saying, my wife doesn’t understand me?”

All I can do is nod, and wonder what the hell is about to ensue. His face flushes crimson from the drink and he’s beginning to slur. “My wife. Oh don’t get me wrong, I love her so much, but she fails to understand or share my interests. We have shooting parties you know. When we do, she makes herself scarce..”

I fully intend to interject my agreement with her, when he continues with his discourse, as if he hasn’t heard me. “Sarah prefers to meet up with some of her medical friends in the city, but in the evening she’s the impeccable hostess once more. Can you imagine her?”

The fact is I prefer not too. Harrington is right about one thing. She is a stunner, but the Harringtons mean nothing to me. His gaze wanders off into a kind of dreamlike intoxication. While I wonder if I can possibly snatch the keys in order to let myself out of this stifling room.

“Look, I don’t care what you and your wife get up to. Just let me out so I can get back to mine.” I soften my tone, rather in the manner of someone pleading to a potential suicide from jumping off a roof. “Okay,I admit, yeah I used to work for Sir George Treveleyan, since you know that much. I was minder to a gangster, ten years ago. I shot the guy who tried to kill him. I went to prison for almost eight years. If you want my life history, I was born in Dublin. You already know I…”

We have something in common, you and me.” Draining the crystal, a hand slightly trembles on the bottle when he pours another. I remind him that perhaps he’s had enough.

“What?”

“Your sister.”

“Bridget? What about her?”

“Not her. The other one. The girl who was raped and murdered.”

“Jesus!” I can’t help but exclaim in surprise. “You have been busy. I don’t like people poking their noses into my business.”

“I didn’t. It was in the newspaper.”

“I still don’t have any intention of discussing my family with you. It’s still far too painful for all of us. So why don’t you open this door and let me out, mate. If you don’t want me to do your grounds I won’t hold that against you.”

“My daughter was raped to.”

He commands my full attention.

He struggles to blink away the tears that stand in his eyes. Slipping a hand beneath his sweater, he extracts a crumpled photograph from his shirt. “Iona. She was just eighteen. She’s beautiful isn’t she?”

I can’t fail to agree. She appears remarkably younger than her eighteen years. Her blonde hair is cut into a short, boyish style, which affords her an almost elfin-like quality.

“Wh-who…?” I ask thickly.

“A man called Ricky Pearson. You know of him?”

“Can’t say I do. I’m sorry for what happened to your daughter. Sure, I can sympathise.”

“Now he’s out of prison, Pearson worked for Marcus Goldsmith. I believe he still does. Pearson was given five years. Now he’s out after three. Lack of evidence, they reckoned. Fuckin’ bastards, what do they know?”A huge globule of  saliva erupts from the scornful twist of his lips, narrowly missing  my boots.

Marcus Goldsmith is a name I am  aware of. From what I have learned of Goldsmith, he currently owns a nightclub called ‘Bronze’ in Southend. Frankie Lamond had once intimated  that if there was a man by whom he felt threatened it was Marcus Goldsmith.

I confide that I know of Goldsmith.

“She was at his club one night. That’s where she met Pearson. Iona was taken up with his looks and charm. He left her bruised and bleeding in a back alley. She killed herself by drowning in our pool.”

“Jesus!” Is all I can respond, while my blood congeals to a glacial chill. “I’m so sorry. You know I sympathise, because of my sister. She was eighteen too. I still don’t understand…”

“I heard through the  grapevine that you did for the man who did that to your sister.”

I freeze instinctively. The perspiration that beads my hairline drizzles into my eyes and I blink it back impatiently, my heart hammering. “I’ll not admit to that without a lawyer present.”

“It was only a rumour mind. Only you know if there was any truth behind it.”

“If it’s blackmail?”

“I told you I have no need to blackmail anyone. Nothing quite so sordid. So how would it be if you had more than the two men I know you have at your disposal? Be able to drive around all your landscape services in your already paid for GT-R. I could put McRaney’s Landscape Services on the map. I know your business is struggling. ”

“So you have been checking up on me? Why?”

“I’d like to help your struggling business. I have plenty of contacts. From Essex to Berkshire, everyone will clamour to hire McRaney’s Landscape services to attend to their gardens. You could be a multi-millionaire before you’re  thirty five.”

“Oh sure,that sounds fantastic, but what do I have to do in return? I’d have to be a pretty thick paddy not to know you have an ulterior motive. One I think your wife know’s something about.”

Paul Harrington’s expression is thoughtful. He savours his words when he says, “I want you to kill Ricky Pearson.”

 

Dangerous To Know – Chapter Three ‘Flash Cars and Beautiful Women’

My window is wound down with ‘Light my fire’ blasting out, I’m uncaring how these toffee-nosed nouveau riche might react. A killed cigarette is tossed out while the Nissan roars into instantaneous life.

If they don’t want my business, then it’s up to them. What a bitch. I know Caitlan has her moments, but she scarcely screams like a demented virago. All greeny/brown eyes. black hair almost loosened from its pins with her consternation.

So why is it that when I exit Bracken Manor, despite my failure to secure the landscaping contract, I am unable to erase the memory of those wild gypsy eyes? She obviously has a temper to match. Why had she over-reacted the way she did when I gave my name? Our paths have never crossed. Surely I would have remembered her.

Deeply immersed in my own preoccupation, I fail to see – and almost collide with – the cream sports car that spins around the bend. The car tosses gravel in its wake, crunching with the impact. The headlamps are blinding. The sports job brakes first, although I almost scrape its side. A window rolls down and a blond head slides out. He admonishes, “Can’t you look where you’re going? And turn that music down, for fuck’s sake. Are you a friend of Sandy’s?” His features are polished and shaven to the point of excess.

Turning the music down, I offer my name.

“The landscape gardener? Paul Harrington.” His expression alters, he smiles, blue eyes crinkle. “You leaving already? I’m sorry I kept you waiting. You get talking and time passes. Then I remembered I’d asked you to come to the house. That’s why I was in such a hurry. Guess you got tired of waiting.”

“I didn’t exactly get tired of waiting. The decision was taken out of my hands.”

Have I imagined it, or does a semblance of darkness cross that smoothly shaven countenance?

“I’m sorry, I don’t understand.”

I relate the incident when I had almost been on the receiving end of a pool cue shoved where the sun doesn’t shine. “Do you still want me to price up the garden for a possible contract then?”

“Of course I do. That’s why I asked you here. You’ve obviously met Sarah and Charlie. Charlie’s barks worse than his bite. Can’t say the same for Sarah though.” He grins.

“So why don’t you come back to the house? Oh, don’t look so worried. She is house-trained. My wife that is. You wouldn’t think that she holds down the kind of job she does. She’s a psychotherapist.”

In my opinion I’m convinced there is more of the psycho about her than the therapist.

“So the music you were listening to. Hardcore is it? Or at least that’s what my son calls it.”

“Hardly. It’s rock. The Doors.  My brother sort of got me into it when I was a kid.”

“I’m more of a classics man myself. Although I’m partial to a spot of jazz. You know old Count Basie?”

I have to admit to drawing a blank there.

“Have you met my son?”. He changes the subject.

“Yeah. I think there’s a girl. Someone shouted down the stairs rather impatiently.”

“I’m afraid Sandy’s love life is something of a fashion parade.” He tuts and shakes his head despondently. “There’s been eight or nine girls already this year and it’s only February.”

He grins, although the smile is swift to fade. “Nice motor,” he adds, when I swing the Nissan about in order to follow him back to the house.

I wonder if the virago will deign to grace us with her presence. Or we’ll stumble upon Sandy making out on the sofa with his latest squeeze.

Instead he suggests that we conduct our business in the conservatory. “My private domain, Mr McRaney.  It has a lock on the door, so we won’t be disturbed.”

 

Is our business so secretive then that he should desire both a lock on the door and a reason not to be disturbed? I’m still coming to terms with his wife’s reaction when I gave my name. Surely all this cannot be attributed to my less than exemplary past can it?

“Oh, I met some guy called Mellors or something,” I say with the realisation that wasn’t his name at all.

“You mean Greggors?” He smiles, slipping a key from his pocket and inserting it into the paint flaked door. “My security man. The house is thoroughly alarmed of course. We were burgled once, when my first wife and I were away.  Greggors is the kind of man I would trust both with my wife and my life.”

I dwell on the fact that he could have left him with anyone’s wife, even mine.

There is more than an intimation of Victoriana surrounding the conservatory. The place is filled with the powerful aroma of various, indecipherable scents. From the exterior it is difficult to tell, but the roof is high domed. So many plants, ivies and fronds descend, reminiscent of clutching fingers brushing your face. As a gardener I have learned much since employing myself in this trade. How to recognise the various hybrids, the wondrous collection, over which the lily is both dominant and a transient reminder of funeral parlours. Plants overlap too, trailing the red brick floor, now barely discernible beneath my feet. More fronds and ivies tangle in a veritable jungle. The scents so overpowering, indistinguishable.

Some of the plants hang so low that I am compelled to lower my head, or risk being half attacked.

“A gardener’s paradise, hey?” He motions me to a battered wrought iron seat, on which rests a number of striped cushions. Adjacent to the seat is an oak sideboard of mottled wood.

“None of your common or garden conservatory here. I had this one specially made. It’s identical to what the Victorians called Garden Rooms. In fact I’m quite partial to a little Victoriana. Everything was so elegant, so drawing room then.” Another key unlocks the cabinet to reveal a surprising assortment of wines and spirits. “I often see your vans around the vicinity. A.J. McRaney. That you is it?”

“Yeah, it’s Aidan. ”

“I only have Teachers. Or do you Irish prefer Jamesons or Bushmills?”

“Neither I’m afraid. I’m driving. New motor.”

“A GT-R no less. You must be coming up in the world.”

“Not really. As my family are forever telling me, I spend far too much money. I guess seventy six thou is a wee bit extravagant.”

“Not if you like nice things as I do. My old man had nothing. We grew up in a Peckham high rise in the late Sixties. Pop was a greengrocer with a market stall. I was the youngest of four kids, and determined to make something of my life. I have, believe me. I love beautiful expensive motors, equally beautiful women. You met Sarah. She’s an oil painting isn’t she? Plus she’s  twenty years younger than me. In fact I had her portrait painted. It hangs above the fireplace in our drawing room. ”

He pours from the bottle of Teachers into cut crystal. I can practically savour the taste of the whisky, but there’s no way that I’ll risk it.

“You a married man, Aidan?” His question surprises me.

I tell him that I am. Two years to Caitlan. “My oldest Patrick is eleven, with my first wife.”

“First wife. An eleven year old son!” he exclaims. “Good Heavens! Then you must be older than you look.” He pauses to regard me above his glass. The glint of moonlight courtesy of the dome, reflects the glass, the liquid inside, with a kind of scintillation.

“I’m thirty one. Look, Mr Harrington…”

“Paul.”

“We’ve skirted around this long enough. I don’t want to appear rude, but I do need to get home to my wife and daughter. I came straight from work and Caitlan will have probably burnt the tea by now. It’s getting a wee bit dark to see the grounds right now. If you’re still interested in giving me the job, then I can come back in daylight.”

“We have floodlights.”

Of course you do.

“You really think I asked you here to discuss the fuckin’ garden?”

Barely has he drained the crystal than he is swift to pour himself another whiskey.

Dangerous To Know – Chapter 2 ‘The Duchess’

Here’s another chapter of my current project. I hope you enjoy!

“I rapped on your knocker several times, but no one answered.” I make an attempt at an explanation of sorts.

The pool cue, which appears to loom on its dangerous ascendancy in the direction of my nether regions, fails to prevent me from continuing my interpretation of events.

“The young guy, Alexander is it? He told me that Mr Harrington was at the pub.” The woman refuses to deny her suspicion, although I am at a loss to wonder why. It isn’t as if I’ve turned up out of the blue. I was cordially invited to Harrington’s home, to price up the work that he required me to carry out on his gardens. I had half expected the gardens to have been in a poor state, I’m surprised to discover how perfectly tended they are.

Nevertheless, Harrington was adamant that I call tonight at seven. When it comes to my business I try not to be late. I attempt to explain all of this to a woman whose expression suggests she needs to be convinced. The unfathomable glances she exchanges with Greggors are not lost on me. Greggors looms above her protectively, as if I’m about to cause her harm. It’s the farthest thing from my mind. In my naivety I go on to explain that Alexander suggested that I speak to the Duchess.

At this juncture I’m aware that Greggors’ expression has transferred from completely unreasonable to the inevitability of kicking seven kinds of shit out of me. The woman’s face breaks into a smile, highlighting the perfect match of even white teeth and porcelain skin, which serves to further encapsulate her beauty.

She laughs with subtlety, while her Irish accent is overly pronounced when she says, “I know that’s what he calls me.” This is conducive to allaying my earlier preconception of her being some elderly infirm Dowager. “Alexander, Sandy, is my stepson.” Her stepson? Then Harrington has to be many years older than his beautiful young wife. “When Paul goes to the pub, usually the Feathers, he could be here anytime. I’m sorry that you had a wasted journey.”

“Nevertheless I think I should wait for him. He was quite adamant that I should be here at seven.”

“Why are you supposed to be here for seven?” It’s obvious that Greggors isn’t as easily convinced. “As I said, my husband has no sense of timing. I must apologise for not answering the door. We wouldn’t have heard you if it wasn’t for Charlie.”

She passes the pool cue to Greggors, before scooping the Spaniel into her arms. It’s conducive to quieting Charlie down, especially when she rubs her face into his. His tail continues its vigorous wagging, his pleasure evident.

“Greggors and I were enjoying a game of pool. He doesn’t like it when I win,do you, Greggors?” She is quite tall, but pitted against this broad shouldered, six five giant, she is compelled to smile up at him. His own smile is more in the way of a brief uplift of lips unaccustomed to performing even that simple task.

“Do you play pool?” she asks.

“Sometimes.”

“What did you say you came about? The gardens was it now?”

“Your husband called me, asked me to come here. Like I said, he mentioned something about storm damage. Most of the gardens I’ve attended to have become damaged by the floods and winds, but what I’ve seen of your gardens so far, they seem in pretty good shape,”

“They are. We’ve had very little storm damage. We’re quite well protected here. Anyway, we have two guys who do all our gardening. Paul must have made a mistake surely. I’m sorry, I didn’t catch your name. I’m Sarah Harrington.” Her grip inside mine is soft but firm.

“Aidan McRaney.”

“Aidan McRaney?” The palm slips from mine instinctively. Her eyes transform to cavernous intimations of darkness. Even Greggors appears uncomfortable, as he shifts from one booted foot to the other with a sense of agitation. It is those eyes, managing to eclipse every other feature, afford the appearance of a striking cobra.“You get the fuck out of my house!”

The Spaniel is practically hurled from her arms. Charlie resumes his tirade, this time the raucous notes of his barks are in accompaniment with his mistress. Her voice is raised and high-pitched. “I know who you are, and what you are!”

“Yes, I’m a landscape gardener. I’ve come to see what work your husband needs me to do.” I say defensively.

“I said get out!” She snatches the cue from Greggors with both hands. Her feet apart in the combat stance, as if she intends some farcical kind of sword-play.

“Look, Mrs Harrington, I don’t understand.” I stretch a hand imploringly. I really don’t understand. She’s beautiful. There’s no denying that. Reminiscent of a wild Irish gypsy. Dark hair frames her face, which is consumed with this unfathomable anger, that is oddly alluring. Her lips are full, sensuous.

The greeny brown-flecked eyes glower with some inner luminosity. I can almost entertain the sensation of my own watering at thoughts of that pool cue closing in.

Aware of my hesitation, she rasps, “You ever have a pool cue shoved up your jacksie, mister?” Jekyll and Hyde don’t cover it. I’ve no occasion to have witnessed such a dramatic change in someone’s demeanor as I have Sarah Harrington. From friendly and welcoming to a demented virago within minutes.

“No, I can’t say that I have.” I deliver an equally glacial response.

“Greggors, do your job.” Now her tone is commanding and haughty when she addresses the ugly bodyguard. At least that’s who I assume him to be. He’s obviously in awe of the woman. A subservient lapdog.

“But, Miss Sarah…” His hesitation is painful, “what about Mr Harrington?” She is obviously a woman who is used to getting her own way.

“Fuck to what my husband says. Quick, get him out of here before Paul returns. You!” Green eyes zero in on me with lightning speed. “You, McRaney, or whatever your name is. Just get out of here if you know what’s good for you”

“But I haven’t done anything.” I attempt to plead my case. “I would still like to see your husband. After all. it was him who asked me to come here.”

“Greggors!”

“Okay, okay, I’m going.” I raise my hands in conciliation. There goes my potential contract. Before the brutish Greggors can feel my collar, I am swift to exit.

Dangerous To Know – Chapter One

Last week I posted a possible first chapter for the new book I’m working on. After giving it some thought, I decided it was perhaps it didn’t have the impact I wanted, so I’m starting off with this instead. Hope you enjoy this little bit of a work in progress.

I reach Ingatestone. Bracken Manor is signposted immediately, Drawing my own conclusions, I believe that Mr Paul Harrington must have amassed a small fortune from property development. It has been rumoured that Harrington had evicted tenants and shopkeepers from their properties to provide a way for his more lucrative enterprises.

The drive is longer than I have anticipated, and is circumscribed by an avenue of trees. Dark and bare, the trees appear entangled and ghostly in the baleful glimmer of the strategically placed solar lights. The portcullis style gates yield instinctively as I pull up before them in my new black chrome GT-R. The car seems to have become a veritable bone of contention between my sister and my wife. The considerable amount of money I have earned from my previous job was far more lucrative than landscape gardening. After almost suffering the loss of my left arm by getting shot, I consider the £76,000 I spent on the motor is well deserved.  Unfortunately the money is depleting rapidly. Not that I’d enlighten my wife to that fact of course. I guess I may as well enjoy it before possibly returning the GT-R to the showroom when our new baby arrives.

The black gates swing wide. I roll the GT-R into the drive and kill a cigarette. I switch off the music on the powerful CD player. Can’t have The Doors’  L.A. Woman blasting into the night.

Alighting from the car, I pause to scan my surroundings with something akin to awe. The facade is fashioned in a mock Tudor style. A number of turrets rise into the indigo sky, where a three quarter moon ascends. From my somewhat limited knowledge of architecture, it isn’t difficult to assess the turrets are of a later addition. Wild russet coloured ivy serves to embellish the feeling of a past I would conjecture to be Victorian. Mullion windows appear as watchful sentinels, as if intimating a sense of protection for its inhabitants. Bracken Manor is indeed a beautiful house.

I park adjacently next to the three, equally sporty, motors, testifying to the fact that their owners appear decidedly wealthy.

There’s a modern bell on the front door that instructs ‘Please Ring for Attention’. So I do, innumerable times before anyone deigns to respond.

When the door is finally opened, a young man appears in the process of buttoning into a black shirt, before he tucks the latter into his jeans with impatient fingers. The youth wears long dark hair spilling  to his collar, framing almost angelically sculpted features.

“What do you want?” he growls impatiently.

“I’ve come to see Mr Harrington.”

“Which Mr Harrington? I’m Alexander.”

“Paul. Is that your father?”

“Yes, but the old man isn’t here.” He glances beyond me toward the drive.

“He asked me to come at seven. I’m the landscape gardener. Aidan McRaney.”

Aristocratic brows uplift in surprise, while dark eyes embrace mine with a thinly-veiled suspicion. “You got credentials?”

“Credentials?”

“My old man won’t let anyone in without credentials. You could be casing the joint for all I know. You could belong to an home invasion gang. We’ve been robbed before.”

“I can assure you I’m not part of any home invasion gang or anything else.”

I have never been requested to show my credentials before. The boy is obviously wary. I can’t blame him I suppose. It also means that Paul Harrington has mentioned nothing of my visit. I produce my driving licence, holding it up to his face. He peers at the cellophane-wrapped ID almost myopically.

“That your motor in the drive?”

I tell him that it is, pride in my voice. He merely shrugs, rolls his eyes and mutters, “Last year’s model,” with disdain, as if I dared to clutter up his drive with some old rust-bucket.

“How come the gates let you in? Where’s Greggors?”  The indignation remains in his voice, which serves to get my back up. I have no idea who Greggors might be. Perhaps he’s the gamekeeper. Wasn’t his name Greggors in Lady Chatterley’s Lover? Or was that Mellors?

“Pop must be expecting you then,” he muses. “Or else the gates wouldn’t have opened. Okay, Mr McRaney. I know a McRaney. He’s got some stupid Irish name. Ruari something or other.”

“Ruairi. Ruairi is my kid brother. So how do you know my brother?”

“He’s working on the set for our play. The Black Monk. I’m playing Lord Byron.”

“Lord Byron, hey?” I attempt to suppress any element of sarcasm my query is liable to produce.

“I can see the resemblance.” He tugs at his chin. “Same whiskers.” His words trail when a female shrills from somewhere inside the house. “You coming, Sandy?”

“Got to go.” He appears embarrassed. I had already guessed, stemming from the hurried clothes adjustment, that I might have been responsible for their coittus interruptus.

“Look, I don’t know anything about any landscaping. As far as I know we’ve already got two guys who do the grounds. But the Duchess might be able to help you.”

“The Duchess?”

“That’s what I call her anyway. Not to her face of course.” He grins. “Although she probably knows it already. She’s round the back.” He gestures in that general direction. “The old man’s at the pub. ‘Less you want to go there. The Feathers at Ingatestone.”

“It’s okay. I’ll wait.”

“He shouldn’t be long.”

“Where the fuck are you, Sandy?” Shrieks emanate from inside once more, and the door is promptly closed in my face. I’m left to go in search of the Duchess. Maybe she’s Harrington’s mother. After all he appears wealthy enough to install her in one of those Granny flats and the place is certainly accommodating.

I make my way around the back, simultaneously ingesting the well tended grounds that are partially illumined in the glimmer of strategically placed solar lamps. From what I can deduce, these are the kind of gardens Capability Brown himself would have been proud of.

There is topiary everywhere, plus several carefully cultivated trees and shrubs. A vast swimming pool is covered by a tarpaulin. Although there’s been storm damage in other gardens recently, there is precious little evidence of it here. It’s s if Bracken Manor and its beautiful grounds have been protected from the elements.

The rear of the house is in no way as palatial as the facade. An old wooden door, framed by an archway, boasts a black wrought iron knocker, complete with an ugly gargoyle with its tongue poking out, in an expression I can but describe as salacious.

Maybe the Duchess is hard of hearing. There’s no response, although I rap loudly on the knocker. What little I know about Duchesses, they are invariably elderly, with ancient countenances and Dowagers Humps.

I can hear a dog barking from inside. I decide to enter regardless, and figure I might be able to quieten Fido down with a few placating words.

Gingerly easing the door aside, I can’t help but stiffen when it squeals protestingly.  A small black and white King Charles spaniel bounds up to greet me. The dog continues its incessant tirade, but with its tail wagging.

The place seems to be some kind of scullery. The room is devoid of furniture, apart from a solitary wooden chair. Red tiles shine on the floor. The walls are whitewashed. A narrow window, set high into the wall, reflects the early evening moonlight.

“For God’s sake, Charlie, why are you making such a racket?” A woman appears, and calls the dog to heel. “Who are you? What do you want?” Her eyes widen with speculation. They are vividly green, interspersed with brownish flecks, and as piercing as sharpened stilettos. I detect a Southern Irish accent, one that is overly pronounced with  astonishment, doubtless at my unprecedented appearance. She holds a pool cue suggestively against her leg as if it were a weapon.

 

“I’m looking for Paul Harrington. He asked me to price up…”

“Greggors!” Her voice, sharper than broken glass, slices through my attempt at an explanation.

She wears tight black jeans plunged into riding boots. A brown cord jacket accentuates a slender waist. Her hair, a rich chocolate brown, is plaited and coiled atop her head.

Greggors appears at her summons. He too carries a pool cue. The man presents a distinctly forbidding aspect. He is completely bald. His head is overlarge and shimmers in the light as if he were in the habit of polishing it. Humpty Dumpty springs to mind. The features are squashed, rounded. The eyes are fractionally squinty, practically immersed in the mountainous flesh. If all this fails to define his unprepossessing appearance, there’s a big, old elongated white scar stretching right across his forehead, reminiscent of Frankenstein’s monster. Beauty and the Beast has never seemed more apt.

“Who the fuck are you?” he adds the challenge. “And what are you doing here?”

 

 

Writing The Antagonist

What makes a villain?

Contrary to popular belief, villains do not fit into the 20-50 male age group. Villains come in all shapes and sizes, all ages, both genders. Prior to writing this I had just watched a documentary on the ‘C.I’ Channel. A woman was brutally murdered in her home. Her injuries were so  severe that her neck was almost broken. Four men were put in the frame for the woman’s murder, but the men all had strong alibis.

It was but a chance meeting with an ex-con that led them to a seventeen year old girl. She and a girlfriend had gone to the woman’s house to demand money for drugs. When the woman refused, one of the girl’s desecrated the body to such an extent, the police believed only a man could have committed the crime. Apparently, the girl had written in her diary how she wanted to kill someone before she died

Jon Venables and Robert Thompson were ten years old when they killed little James Bulger.

Mary Bell was eleven when she killed two little boys.

So what drives people to kill? To become villains? The child who enjoys killing and dissecting a frog to see what it’s made of. The child who kills another child, usually a younger one. Is it because they wish to know how it feels, how people will react?

Criminal profilers will suggest that the reason why Jack the Ripper slashed and sliced up prostitutes so viciously was that maybe his mother might have been a prostitute. That as a small boy, he loathed all the men who came to their house.

While not to make light of such terrible murders, these influences are sure to be drawn on when telling stories.

Writing the antagonist is as exciting as writing the protagonist. My villains have been varied and, I hasten to add, never return.   Once killed off, they stay dead. They’re not Freddie Krueger!

William Sefton in ‘All of them Vampires’ is a Victorian gentleman and  once a student of the occult. Sefton wants nothing better than for world domination by the vampires, so he summons The Old One, the original vampire to achieve that end.

In ‘Staying Out’, Rick Morelli, armed robber and a hardcase villain, is obsessed by the girl who went to prison in his stead. Now she is out, Morelli is aware the only way to win her back is to frame her for murder. Then she has no choice but to go with him.

In ‘Stalking Aidan’ the villains are stealthier, and prefer to use the psychology of mind-games in order for Aidan McRaney, the object of their obsession, to develop a paranoia he fails to control.

I think for me the most evil has to be Daniel Corrigan in ‘Progeny of a Killer’. Corrigan is a man whose obsession is with the past and his  IRA father’s death at the hands of the British soldiers at a Crossmaglen checkpoint. These factors practically ensure his own destruction. The fact Corrigan’s obsession with the execution of the rebels in Dublin in 1916 serves to consume him to the point of madness. His insanity spills out into terrible atrocities he commits on the Mainland, among them paedophilia.

Whereas Paul Harrington in the book I’m working on now,  ‘Dangerous to Know’, is a suave businessman with a beautiful wife. Harrington is wealthy, but he too has an obsession, a  desire to kill that  stems from the fact his 18 year old daughter was raped and  subsequently drowned herself in their pool. When Aidan refuses to kill for him, Harrington’s own obsession  at being thwarted in his request, is such that he wreaks a terrible revenge on someone close to the young man’s  heart.